“As someone starting out in an industry as big and complex as film, this course is full of rich advice and juicy info.
"It really drills down into the practical stuff you need to know but are too afraid to ask, James also evaluates some of the leaders in the field of course provision for the Art department in a way which could save you a hefty sum and ensure you get the best teaching for your career goals.
"It’s a great achievement and a real treasure trove.”
Serena Murphy – Art Department Assistant (Cobra, Series 2)
The course consists of eight sections.
You can see a list of all the sections here: www.filmsetdesign.com/course.
You can see some of the feedback I've received here: www.filmsetdesign/endorsements.
I give away section 1 for free. I also give away more free information in my Facebook group.
You can access section 1 and my Facebook group using the links below.
Access Section 1:
www.filmsetdesign.com/freehelp
Join My Facebook Group:
www.facebook.com/groups/firstjobinsetdesign
There is a cost to access sections 2-8. This is because it's taken a hell of a lot of time and money to put all of this together. And it continues to take a lot of time, money and effort to keep it running.
I wish I could afford to give it all away for free but, sadly, our Capitalist Overlords won't allow me to do that - or at least not in a way that would allow me to feed myself. Such is the way of the world. And, as freelancers working in film and TV, I'm sure we all have similar views about working for free.
However, through completing the course, I'm confident you'll save a hell of a lot of time, money, energy and sanity as a result - which is the whole point of it. And it will help you avoid a quarter-life crisis, too.
Therefore, treat it as an investment in your future self.
If you're potentially interested in investing in yourself by completing sections 2-8, I find the best way to progress further is to have a chat over the phone.
That way, I can explain what the course entails, how much it costs, and how it's delivered. We can also discuss your current situation and whether the course is right for you.
If it is, I'd be happy to give you access, and thereby work with you more closely to help you get to where you want to be.
To begin that process, please click the link below.
Book a Phone Call:
www.filmsetdesign.com/bookacall
Before you can book a phone call, there is a short questionnaire. Please answer the questions on that questionnaire. You will then be able to proceed to the next page and book a phone call.
Hope that makes sense!
“I found this course very informative and most importantly easy to read and follow.
"I really enjoyed the pie charts and how it showed the portions of in-house and on set for each job.
"The course demonstrates a very deep understanding of the industry and for a newbie like myself the information was invaluable. I wish every industry had a course like this and I wish I had seen this sooner!
“The explaining of each role is important but I found the later parts of the course where it talks about training, CVs and when you’re in the job most interesting. For example the explanation of radio and set lingo which I have already put to good use.
"Thank you again!”
Sam Graber – Greensman, Brandon Thatchers
"Given the fact that you are potentially saving someone a lot of research and providing first-hand experience and inside-industry advice, I think the course is definitely worth reading, especially as it is so thorough.
"I imagine you would get your foot in the door as a direct consequence of the course (I had no idea the directories even existed; I knew that you’re supposed to just contact people but I had no idea how to find contact details).
"Plus, it’s a lot less time consuming than doing one of the practical courses and then realising you don’t like the realities of the industry, the working hours etc."
Sophie Haywood – TV & Film Set Design Graduate, University of South Wales
"The course is easily the most comprehensive and valuable resource I've encountered since trying to get into the industry.
"The structure is logical and easy to follow. It really helps to have the overview of the departments and roles, particularly the diagrams, then moving on to more in-depth explanations of certain topics.
"The "to do" lists at the end of each section work really well to summarise the content, but also to provide steps to get you prepared.
"Having James on hand to answer any questions is a real bonus, although the course was so well laid out that I didn't have many questions by the end. Having indefinite access to the content is also very reassuring knowing that I can always go back to it whenever I need to.
"From someone who is transitioning into this industry, this course has been 100% worth the cost, I'm very happy I invested the time and money.
"Also, can't remember where you're located, but I'd like to buy you a beer or something, sometime, for all your help."
Bill Duerden – Prop Maker, Scene2
“As someone starting out in an industry as big and complex as film, this course is full of rich advice and juicy info.
"It really drills down into the practical stuff you need to know but are too afraid to ask, James also evaluates some of the leaders in the field of course provision for the Art department in a way which could save you a hefty sum and ensure you get the best teaching for your career goals.
"It’s a great achievement and a real treasure trove.”
Serena Murphy – Art Department Assistant (Cobra, Series 2)
The course consists of eight sections.
You can see a list of all the sections here: www.filmsetdesign.com/course.
You can see some of the feedback I've received here: www.filmsetdesign/endorsements.
I give away section 1 for free. I also give away more free information in my Facebook group.
You can access section 1 and my Facebook group using the links below.
Access Section 1:
www.filmsetdesign.com/freehelp
Join My Facebook Group:
www.facebook.com/groups/firstjobinsetdesign
There is a cost to access sections 2-8. This is because it's taken a hell of a lot of time and money to put all of this together. And it continues to take a lot of time, money and effort to keep it running.
I wish I could afford to give it all away for free but, sadly, our Capitalist Overlords won't allow me to do that - or at least not in a way that would allow me to feed myself. Such is the way of the world. And, as freelancers working in film and TV, I'm sure we all have similar views about working for free.
However, through completing the course, I'm confident you'll save a hell of a lot of time, money and sanity as a result - which is the whole point of it.
As a result, in the long run, it will save you money... and time, and energy. And it will help you avoid a quarter-life crisis, too.
Therefore, treat it as an investment in your future self.
If you're potentially interested in investing in yourself by completing sections 2-8, I find the best way to progress further is to have a chat over the phone.
That way, I can explain what the course entails, how much it costs, and how it's delivered. We can also discuss your current situation and whether the course is right for you.
If it is, I'd be happy to give you access, and thereby work with you more closely to help you get to where you want to be.
To begin that process, please click the link below.
Book a Phone Call:
www.filmsetdesign.com/bookacall
Before you can book a phone call, there is a short questionnaire. Please answer the questions on that questionnaire. You will then be able to proceed to the next page and book a phone call.
Hope that makes sense!
“I found this course very informative and most importantly easy to read and follow.
"I really enjoyed the pie charts and how it showed the portions of in-house and on set for each job.
"The course demonstrates a very deep understanding of the industry and for a newbie like myself the information was invaluable. I wish every industry had a course like this and I wish I had seen this sooner!
“The explaining of each role is important but I found the later parts of the course where it talks about training, CVs and when you’re in the job most interesting. For example the explanation of radio and set lingo which I have already put to good use.
"Thank you again!”
Sam Graber – Greensman, Brandon Thatchers
"Given the fact that you are potentially saving someone a lot of research and providing first-hand experience and inside-industry advice, I think the course is definitely worth reading, especially as it is so thorough.
"I imagine you would get your foot in the door as a direct consequence of the course (I had no idea the directories even existed; I knew that you’re supposed to just contact people but I had no idea how to find contact details).
"Plus, it’s a lot less time consuming than doing one of the practical courses and then realising you don’t like the realities of the industry, the working hours etc."
Sophie Haywood – TV & Film Set Design Graduate, University of South Wales
"The course is easily the most comprehensive and valuable resource I've encountered since trying to get into the industry.
"The structure is logical and easy to follow. It really helps to have the overview of the departments and roles, particularly the diagrams, then moving on to more in-depth explanations of certain topics.
"The "to do" lists at the end of each section work really well to summarise the content, but also to provide steps to get you prepared.
"Having James on hand to answer any questions is a real bonus, although the course was so well laid out that I didn't have many questions by the end. Having indefinite access to the content is also very reassuring knowing that I can always go back to it whenever I need to.
"From someone who is transitioning into this industry, this course has been 100% worth the cost, I'm very happy I invested the time and money.
"Also, can't remember where you're located, but I'd like to buy you a beer or something, sometime, for all your help."
Bill Duerden – Prop Maker, Scene2