"This is essential for anyone wanting to join the Art department.”
Claudia Parker – Set Decorator, Game of Thrones
"This is essential for anyone wanting to join the Art department.”
Claudia Parker – Set Decorator, Game of Thrones
FREE 4 STEP GUIDE
How to Find Your
First Job in
Props and Set Design in
Film and TV...
And Avoid a Quarter-life Crisis...
Even if you don't have any industry contacts
FREE 4 STEP GUIDE
How to Find Your
First Job in
Props and Set Design in Film and TV...
And Avoid a Quarter-life Crisis...
Even if you don't have any industry contacts
If you’d like to work in props / set design, but you’re not sure how to do that, this is the perfect place to start.
Trying to navigate the film and TV industry and find work in props / set design can be completely bewildering.
Don't worry - it's not just you. It was exactly the same for me as well.
But it doesn't need to be as difficult as this.
With the right knowledge and guidance, the process can be a lot easier.
To receive a free four step guide to finding your first job in set design... and avoiding a quarter-life crisis, just enter your details here.
If you’d like to work in props / set design, but you’re not sure how to do that...
This is the perfect place to start.
Trying to navigate the film and TV industry and find work in props / set design can be completely bewildering.
Don't worry - it's not just you. It was exactly the same for me as well.
But it doesn't need to be as difficult as this.
With the right knowledge and guidance, the process can be a lot easier.
To receive a free four step guide to finding your first job in set design... and avoiding a quarter-life crisis, just enter your details here.
This Is For You If...
- You don't have any industry contacts, and you're wondering how to make some
- You're struggling to understand what each department does
- You're not sure which job roles are available
- You're not sure which job role you'd like to do
- You're not sure what skills are needed, or how to learn them
- You're unsure if your skills will allow you to work in the industry
- You're wondering if you need additional skills
- You want to find work on decent-sized productions - rather than music videos and student films
- You've tried to find work in the industry before but haven't succeeded
- You're not sure if you could earn a living from working in film and TV
- You're wondering if you need a degree
- You're concerned it's not a well-paid industry
- You're unsure whether it's a "closed industry"
- You're concerned that it might be too late to start working in the industry
And...
- You're looking for a job that's stimulating and exciting
- You like to avoid having regrets and wondering "what if..."
These are probably a fraction of the problems you’re wrestling with.
Overall, trying to enter the industry can feel like driving in the dark... to a place you haven't been to before... without a map.
Don't worry - it's not just you.
It was exactly the same for me as well.
But it doesn't need to be as difficult as this.
With the right knowledge and guidance, the process is a lot easier than trying to work it out for yourself.
To learn how to find your first job in set design... and avoid a quarter-life crisis, just enter your details above.
You'll then receive a free four step guide that takes you through the whole process.
These guides will help you save a lot of time and money...
And a lot of your sanity.
This Is For You If...
- You don't have any industry contacts, and you're wondering how to make some
- You're struggling to understand what each department does
- You're not sure which job roles are available
- You're not sure which job role you'd like to do
- You're not sure what skills are needed, or how to learn them
- You're unsure if your skills will allow you to work in the industry
- You're wondering if you need a degree
- You're wondering if you need additional skills
- You want to find work on decent-sized productions - rather than music videos and student films
- You've tried to find work in the industry before but haven't succeeded
- You're not sure if you could earn a living from working in film and TV
- You're concerned it's not a well-paid industry
- You're unsure whether it's a "closed industry"
- You're concerned that it might be too late to start working in the industry
And...
- You're looking for a job that's stimulating and exciting
- You like to avoid having regrets and wondering "what if..."
These are probably a fraction of the problems you’re wrestling with.
Overall, trying to enter the industry can feel like driving in the dark... to a place you haven't been to before... without a map.
Don't worry - it's not just you.
It was exactly the same for me as well.
But it doesn't need to be as difficult as this.
With the right knowledge and guidance, the process is a lot easier than trying to work it out for yourself.
To learn how to find your first job in set design... and avoid a quarter-life crisis, just enter your details above.
You'll then receive a free four step guide that takes you through the whole process.
These guides will help you save a lot of time and money...
And a lot of your sanity.
Testimonials
What Others Have Said
"As a Fine Art student with little previous knowledge about the film industry, it has taught me so much and has helped me to consider the possibility of a future in the Art Department.
"The information is delivered clearly, and the inclusion of to-do-lists makes the next steps feel manageable and accesible.
"I would definitley recommend this course to anyone who is interested in working in the Art Department!"
Mae Warner – Fine Art Student, Norwich University of the Arts
“This beginners’ course has given me all of the basic knowledge I need to be confident when walking onto set for the first time!
"I have used the advice to re-write my CV and put together my first portfolio which I have already had great feedback for from Art Directors.
"It has provided me with some great ideas of how to continue developing my skills and knowledge to start building a successful career in the Art Department! Thank you so much!”
Paige Smith – Architectural Technology Student, Edinburgh Napier University
“As someone starting out in an industry as big and complex as film, this course is full of rich advice and juicy info.
"It really drills down into the practical stuff you need to know but are too afraid to ask, James also evaluates some of the leaders in the field of course provision for the Art department in a way which could save you a hefty sum and ensure you get the best teaching for your career goals.
"It’s a great achievement and a real treasure trove.”
Serena Murphy – Art Department Assistant, Cobra Series 2
“What James has written is pretty brilliant.
"It's efficient, specific and will possibly tell you quite a few things your teacher, tutor or mentor missed out.
"For those who need that specificity and prefer an understanding of the real world then this is perfect.”
Archie Cameron – Film, Photography and Videography Student, Access Creative College
"The course is easily the most comprehensive and valuable resource I've encountered since trying to get into the industry. From someone who is transitioning into this industry, this course has been 100% worth the cost, I'm very happy I invested the time and money."
Bill Duerden – Prop Maker, Scene2
Testimonials
What Others Have Said
"As a Fine Art student with little previous knowledge about the film industry, it has taught me so much and has helped me to consider the possibility of a future in the Art Department.
"The information is delivered clearly, and the inclusion of to-do-lists makes the next steps feel manageable and accesible.
"I would definitley recommend this course to anyone who is interested in working in the Art Department!"
Mae Warner – Fine Art Student, Norwich University of the Arts
“This beginners’ course has given me all of the basic knowledge I need to be confident when walking onto set for the first time!
"I have used the advice to re-write my CV and put together my first portfolio which I have already had great feedback for from Art Directors.
"It has provided me with some great ideas of how to continue developing my skills and knowledge to start building a successful career in the Art Department! Thank you so much!”
Paige Smith – Architectural Technology Student, Edinburgh Napier University
“As someone starting out in an industry as big and complex as film, this course is full of rich advice and juicy info.
"It really drills down into the practical stuff you need to know but are too afraid to ask, James also evaluates some of the leaders in the field of course provision for the Art department in a way which could save you a hefty sum and ensure you get the best teaching for your career goals.
"It’s a great achievement and a real treasure trove.”
Serena Murphy – Art Department Assistant, Cobra Series 2
“What James has written is pretty brilliant.
"It's efficient, specific and will possibly tell you quite a few things your teacher, tutor or mentor missed out.
"For those who need that specificity and prefer an understanding of the real world then this is perfect.”
Archie Cameron – Film, Photography and Videography Student, Access Creative College
"The course is easily the most comprehensive and valuable resource I've encountered since trying to get into the industry. From someone who is transitioning into this industry, this course has been 100% worth the cost, I'm very happy I invested the time and money."
Bill Duerden – Prop Maker, Scene2
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Organisations I've Worked With
Organisations I've Worked With
Organisations I've Worked With
About Me
My name is James.
I initially studied mechanical engineering and industrial design.
Shortly after graduating, I unexpectedly got a job as an Extra (SA) on a BBC documentary.
I really enjoyed the experience, and it made me realise that I would like to work in the film and TV industry in some capacity.
However, I knew absolutely nothing about the film and TV industry.
As you can imagine, it's not the sort of thing they teach you about when studying mechanical engineering.
As a result, I was effectively starting from ground-zero.
So... I did a lot of research about the industry, watched what happened when I was on set, asked lots of questions, completed various courses, and networked with as many people as I could.
There were many moments of confusion, frustration and self-doubt – as you might be experiencing now.
But it was also exciting to be discovering an industry as interesting, challenging, and varied as this one.
I refer to this period as my quarter-life crisis – an experience a lot of people go through.
Ultimately, I realised I would like to work in set design. One thing led to another, and I ended up doing just that.
Now I work predominantly in Props and Set Decoration. I have also worked in the Art Department on some lower-budget productions.
To date, I’ve worked on productions such as:
- Bridgerton
- The Winter King
- The Gallows Pole
- The Power
- The Souvenir Pt. 2
- Fast and Furious 9
I've also worked on several others that have yet to air.
Having found my feet in recent years, I decided to create this course to help others do the same.
About Me
My name is James.
I initially studied mechanical engineering and industrial design.
Shortly after graduating, I unexpectedly got a job as an Extra (SA) on a BBC documentary.
I really enjoyed the experience, and it made me realise that I would like to work in the film and TV industry in some capacity.
However, I knew absolutely nothing about the film and TV industry.
As you can imagine, it's not the sort of thing they teach you about when studying mechanical engineering.
As a result, I was effectively starting from ground-zero.
So... I did a lot of research about the industry, watched what happened when I was on set, asked lots of questions, completed various courses, and networked with as many people as I could.
There were many moments of confusion, frustration and self-doubt – as you might be experiencing now.
But it was also exciting to be discovering an industry as interesting, challenging, and varied as this one.
I refer to this period as my quarter-life crisis – an experience a lot of people go through.
Ultimately, I realised I would like to work in set design. One thing led to another, and I ended up doing just that.
Now I work predominantly in Props and Set Decoration. I have also worked in the Art Department on some lower-budget productions.
To date, I’ve worked on productions such as:
- Bridgerton
- The Winter King
- The Gallows Pole
- The Power
- The Souvenir Pt. 2
- Fast and Furious 9
I've also worked on several others that have yet to air.
Having found my feet in recent years, I decided to create this course to help others do the same.
Limited Availability
I like to help people properly.
I don’t like being mediocre – particularly when it comes to education and helping people.
To give people as much help as possible, I can only work with a certain number of people at any one time.
Therefore, these free guides have limited availability.
If you return to this page at a later date, you may not be able to access these free guides.
To guarantee yourself access, simply click the yellow button below.
Limited Availability
I like to help people properly.
I don’t like being mediocre – particularly when it comes to education and helping people.
To give people as much help as possible, I can only work with a certain number of people at any one time.
Therefore, these free guides have limited availability.
If you return to this page at a later date, you may not be able to access these free guides.
To guarantee yourself access, simply click the yellow button below.